I recently attended a talk at the Whitechapel Gallery featuring Dave Beech in conversation with Julian Stallabrass to launch 'On Beauty' a new anthology of writings on the subject edited by Beech. From the conversation it appeared that the conception of *beauty* under discussion was that which is considered visually pleasing/attractive/uplifting (or not as the case(s) may be) so the framing of the discussion appeared to privilege an ocularcentric perspective from the get go. I wondered if the conversation could have been directly transposed to the sonic field or for that matter the olfactory, gustatory or somesthetic? Or how about the beauty of a mathematical equation or friendship? This may have thrown light on the subjective/socially inscribed conundrum. Stallenbraus observed that a lot of writing on beauty is 'bullshit' if so I feel this may be due to the ineffable nature of the subject, maybe talking of beauty is much like describing the nature of God or explaining why a joke is funny. Maybe the real problem with beauty in art is that though we may enjoy it (a work made to be deliberately beautiful), and there is nothing wrong with that, it may ultimately be a distraction/hindrance to the experience of beauty as it perpetuates the idea that beauty is contained in 'things' and that these things exist outside of us.
Dan Westlake is a conceptual artist and dance music producer who lives and works in London. These are some of his thoughts, projects and recommendations...
Thursday, 2 July 2009
On Beauty
I recently attended a talk at the Whitechapel Gallery featuring Dave Beech in conversation with Julian Stallabrass to launch 'On Beauty' a new anthology of writings on the subject edited by Beech. From the conversation it appeared that the conception of *beauty* under discussion was that which is considered visually pleasing/attractive/uplifting (or not as the case(s) may be) so the framing of the discussion appeared to privilege an ocularcentric perspective from the get go. I wondered if the conversation could have been directly transposed to the sonic field or for that matter the olfactory, gustatory or somesthetic? Or how about the beauty of a mathematical equation or friendship? This may have thrown light on the subjective/socially inscribed conundrum. Stallenbraus observed that a lot of writing on beauty is 'bullshit' if so I feel this may be due to the ineffable nature of the subject, maybe talking of beauty is much like describing the nature of God or explaining why a joke is funny. Maybe the real problem with beauty in art is that though we may enjoy it (a work made to be deliberately beautiful), and there is nothing wrong with that, it may ultimately be a distraction/hindrance to the experience of beauty as it perpetuates the idea that beauty is contained in 'things' and that these things exist outside of us.
Labels:
Dave Beech,
God,
Julian Stallabrass
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment